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Written by the original writer Geoffrey Atherden. This adaptation, takes the story into modern day with the use of mobile phones, skype calls to the Grandchildren and other contemporary references with the same well drawn characters and their familiar similarities. The storyline follows Arthur as he tries to plan for a special (and much deserved) …
Written by the original writer Geoffrey Atherden. This adaptation, takes the story into modern day with the use of mobile phones, skype calls to the Grandchildren and other contemporary references with the same well drawn characters and their familiar similarities. The storyline follows Arthur as he tries to plan for a special (and much deserved) …
Written by the original writer Geoffrey Atherden. This adaptation, takes the story into modern day with the use of mobile phones, skype calls to the Grandchildren and other contemporary references with the same well drawn characters and their familiar similarities. The storyline follows Arthur as he tries to plan for a special (and much deserved) …
Serge buys an expensive painting – white lines on a white canvas. To Marc, the painting is a joke. Yvan is on the fence. Battle lines are drawn, and the trio use the ‘‘art’’ to settle scores and push their 15 year old friendship to the limit.
Serge buys an expensive painting – white lines on a white canvas. To Marc, the painting is a joke. Yvan is on the fence. Battle lines are drawn, and the trio use the ‘‘art’’ to settle scores and push their 15 year old friendship to the limit.
Serge buys an expensive painting – white lines on a white canvas. To Marc, the painting is a joke. Yvan is on the fence. Battle lines are drawn, and the trio use the ‘‘art’’ to settle scores and push their 15 year old friendship to the limit.
Serge buys an expensive painting – white lines on a white canvas. To Marc, the painting is a joke. Yvan is on the fence. Battle lines are drawn, and the trio use the ‘‘art’’ to settle scores and push their 15 year old friendship to the limit.
Serge buys an expensive painting – white lines on a white canvas. To Marc, the painting is a joke. Yvan is on the fence. Battle lines are drawn, and the trio use the ‘‘art’’ to settle scores and push their 15 year old friendship to the limit.
Serge buys an expensive painting – white lines on a white canvas. To Marc, the painting is a joke. Yvan is on the fence. Battle lines are drawn, and the trio use the ‘‘art’’ to settle scores and push their 15 year old friendship to the limit.
Serge buys an expensive painting – white lines on a white canvas. To Marc, the painting is a joke. Yvan is on the fence. Battle lines are drawn, and the trio use the ‘‘art’’ to settle scores and push their 15 year old friendship to the limit.
Serge buys an expensive painting – white lines on a white canvas. To Marc, the painting is a joke. Yvan is on the fence. Battle lines are drawn, and the trio use the ‘‘art’’ to settle scores and push their 15 year old friendship to the limit.
Serge buys an expensive painting – white lines on a white canvas. To Marc, the painting is a joke. Yvan is on the fence. Battle lines are drawn, and the trio use the ‘‘art’’ to settle scores and push their 15 year old friendship to the limit.
Serge buys an expensive painting – white lines on a white canvas. To Marc, the painting is a joke. Yvan is on the fence. Battle lines are drawn, and the trio use the ‘‘art’’ to settle scores and push their 15 year old friendship to the limit.
Serge buys an expensive painting – white lines on a white canvas. To Marc, the painting is a joke. Yvan is on the fence. Battle lines are drawn, and the trio use the ‘‘art’’ to settle scores and push their 15 year old friendship to the limit.
Serge buys an expensive painting – white lines on a white canvas. To Marc, the painting is a joke. Yvan is on the fence. Battle lines are drawn, and the trio use the ‘‘art’’ to settle scores and push their 15 year old friendship to the limit.