La Cenerentola (Cinderella)

This rollicking, comedic opera of Cinderella presents the story you know – with a few extra twists.
One of the most popular stories of all time, set to sparkling music, ‘La Cenerentola’ is the perfect introduction to opera for those who have yet to embrace the artform, as well as an evergreen for the opera connoisseur.
One reviewer’s praise of this production commended, ‘Rossini’s blend of great vocal writing, comedy and fast-paced action were always evident, so that the drama and romance were convincingly projected amongst the mayhem and confusion created by characters in disguise.’
Featuring a cast entirely of Victorian opera singers, the show is sung in the original Italian, but the familiar story and effervescent host, ‘Madame Carandini’, mean that even the youngest audience members will enjoy the performance.
Opera aficionado Graham Ford declared this show ‘a fun night out, with excellent singing.’

La Cenerentola (Cinderella)

This rollicking, comedic opera of Cinderella presents the story you know – with a few extra twists.
One of the most popular stories of all time, set to sparkling music, La Cenerentola is the perfect introduction to opera for those who have yet to embrace the artform, as well as an evergreen for the opera connoisseur.
One reviewer’s praise of this production commended, ‘Rossini’s blend of great vocal writing, comedy and fast-paced action were always evident, so that the drama and romance were convincingly projected amongst the mayhem and confusion created by characters in disguise.’
Featuring a cast entirely of Victorian opera singers, the show is sung in the original Italian, but the familiar story and indefatigable host, ‘Madame Carandini’, mean that even the youngest audience will be able to enjoy the performance.
Opera aficionado Graham Ford declared this show ‘a fun night out, with excellent singing.’

Joseph Calleja – The Maltese Tenor

JOSEPH CALLEJA is one of the most exciting lyric tenors in the world today.

Blessed with a golden-age voice which routinely inspires comparisons to legendary singers from earlier eras, CALLEJA is now a superstar in all the greatest opera houses and concert halls around the globe.

In this, his eagerly anticipated debut Australian tour, the Maltese born singer, described as the young Pavarotti, will thrill audiences in Sydney, Adelaide, Melbourne, Brisbane and Perth.

JOSEPH CALLEJA will be joined by two of Australia’s best-loved artists, soprano Amelia Farrugia, who is also of Maltese heritage, and internationally acclaimed pianist Piers Lane, in an unforgettable performance.

JOSEPH CALLEJA’s extensive discography includes a thrilling Verdi album and a hugely popular tribute to Mario Lanza, whilst his performance of Puccini’s famous Nessun Dorma at The Last Night of the Proms at The Royal Albert Hall was nothing short of electrifying. Most recently CALLEJA released The Magic of Mantovani – in which Mantovani’s original orchestral 1950s and ‘60s recordings were remastered and set with brand new vocals – for the very first time.

The program will include arias and duets by Verdi, Donizetti, Puccini, Mantovani, Donaudy, Tosti, Mancini, Lehar and Bernstein. To the delight of music lovers, the program will also feature two solo piano performances by Piers Lane of works by Chopin and Liszt.

Melbourne – Hamer Hall, Arts Centre Melbourne

Monday 31st October 2022 – 7:30pm

https://www.artscentremelbourne.com.au/whats-on/2022/classical-music/joseph-calleja

Presented by Andrew McKinnon in association with Opera Australia

Standard
$99.00 – $225.00
Child (16 and under)
$49.00 – $175.00
Concession
$84.00 – $210.00
Group 6+
$74.00 – $199.00

As One

Gertrude Opera presents the Australian premiere of the groundbreaking and acclaimed chamber opera As One as part of the 2020 Midsumma Festival.

Inspired by the work of transgender filmmaker and librettist Kimberly Reed, As One is the world’s first opera to depict the transgender experience, tracing the journey of protagonist Hannah from her small town youth, to her college years, overseas travels and personal discoveries.

Featuring fifteen songs that comprise the three-part narrative, the role of Hannah is shared by mezzo-soprano Lotte Betts-Dean and baritone Joshua Erdelyi-Gotz, under the direction of Gertrude Opera Artistic Director Linda Thompson, joined by Chicago based conductor Alexandra Enyart.

Aria Cappella presents: Opera & Afternoon Tea (Victorian Seniors Festival)

As a special treat for the Seniors Festival, Aria Cappella is very pleased to perform their thrilling repertoire of operatic delights in their signature, a cappella style. No orchestra required! We are so proud to have this opportunity to volunteer our time and talents to give back to the community.

The concert will take place from 1pm on Sunday, October 27, at the Wattle Park Chalet, and is presented with the kind support of Provincial Events, who have offered use of their venue and staff for the day. A feast of sweet and savoury treats is covered by the ticket price, with a range of included beverages, and a cash bar will be available.

Bring the whole family for a lovely Sunday afternoon of music and treats in a truly stunning venue.

To cover the delicious afternoon tea, tickets are $15 for Seniors Card holders, and $20 for General Admission.

Book your tickets via TryBooking – www.trybooking.com/BFDJP

Cox & Box and HMS Pinafore

Cox & Box
This frivolous yet charming tale, full of musical humour and sparkling tunes is a cheerful romp. Before Sullivan met Gilbert he composed a delicious one act farce, Cox & Box with humorist F.C. Burnand. First performed privately in a men’s club, its popularity climbed and was the only work, not written by both Gilbert & Sullivan to be continually performed by the fabled D’Oyly Carte Opera Company, through its long history. Sergeant Bouncer is renting a room to Mr Box, a printer who works at night, and to Mr Cox, a hatter who works by day. Neither know of each other’s existence, until one day Mr Cox is awarded a holiday. Returning home Mr Cox is horrified to find Mr Box asleep in his bed! Much hilarity follows as Sergeant Bouncer tries to sort out the mess. Sullivan provides a preview to the masterpieces he would later write with Gilbert. This is a gem of a mini-opera, and will bring much amusement and delight in this new production. Delight in this timeless classic –

HMS Pinafore
Gilbert’s raucus satire on rank and privilege, set to some of the saltiest, jauntiest and joyful nautical music ever written, by Arthur Sullivan. H.M.S Pinafore was Gilbert & Sullivan’s first international success. It has sailed the musical seas since 1878, and has never, no never, and not even hardly ever fallen from popularity. The Captain’s daughter Josephine, is in love with the common sailor, Ralph Rackstraw. However, her father plans to marry her off to the unbearable but wealthy First Sea Lord, Sir Joseph Porter. After some hilarious plot twists, the lovers win through in the end.

This comic opera is an ideal introduction to children, and young persons, of the joys of classical musical theatre.

Both productions Directed by Daniel Sinfield with Musical Direction by Joshua Geddes.

Make the most of this opportunity to see a classic double bill!

Take advantage of our Early Bird prices which are available until midnight Monday August 26th and BOOK NOW!

Die Fledermaus

Glorious music, wonderful singing, and a charming and witty libretto, this joyful work of genius is sure to be one of the highlights of the Melbourne opera going year in 2019!
Composed by the Waltz King, Johann Strauss Junior, Die Fledermaus is perhaps the ultimate operetta. Die Fledermaus is a story about revenge, infidelity, disguises, imprisonment and waltzes! And, oh, what waltzes!
A Viennese gentleman, Gabriel von Eisenstein is supposed to be going to jail for tax evasion. But instead, he ends up going to a grand party at the villa of the Russian Prince Orlovsky. He has been lured there by Dr Falke, a former rival for the hand of
von Eisenstein’s wife, Rosalinda. However, Dr Falke has also invited Rosalinda, who still thinks her husband will be in jail, to come disguised as an Hungarian Countess. Falke’s aim is to enjoy von Eisenstein’s embarrassment, and the fun really begins when they all turn up at Prince Orlovsky’s party in Act II, including the Eisensteins;’ maid Adele, who has borrowed Rosalinda’s best dress. Inevitably, too much champagne is consumed resulting in a hilarious mixture of disguises and wrongdoings. However, all ends happily without serious incident.
Gilbert & Sullivan Opera Victoria will present a sparkling new production by leading Australian Director and Choreographer Robert Ray, with Musical Direction by Alan Cook.