Melbourne Fringe Festival

The triumphal return of the sell-out, wildly exuberant hour of musical comedy written for a cast of ninety, performed by a cast of two. Now in a fully accessible, perfectly appointed 19th century theater space. Andrew foolishly spent 2020 writing a full-length, full-cast comic operetta based on the musical clichés and ridiculous plots of Gilbert …

The triumphal return of the sell-out, wildly exuberant hour of musical comedy written for a cast of ninety, performed by a cast of two. Now in a fully accessible, perfectly appointed 19th century theater space. Andrew foolishly spent 2020 writing a full-length, full-cast comic operetta based on the musical clichés and ridiculous plots of Gilbert …

The triumphal return of the sell-out, wildly exuberant hour of musical comedy written for a cast of ninety, performed by a cast of two. Now in a fully accessible, perfectly appointed 19th century theater space. Andrew foolishly spent 2020 writing a full-length, full-cast comic operetta based on the musical clichés and ridiculous plots of Gilbert …

The triumphal return of the sell-out, wildly exuberant hour of musical comedy written for a cast of ninety, performed by a cast of two. Now in a fully accessible, perfectly appointed 19th century theater space. Andrew foolishly spent 2020 writing a full-length, full-cast comic operetta based on the musical clichés and ridiculous plots of Gilbert …

The triumphal return of the sell-out, wildly exuberant hour of musical comedy written for a cast of ninety, performed by a cast of two. Now in a fully accessible, perfectly appointed 19th century theater space. Andrew foolishly spent 2020 writing a full-length, full-cast comic operetta based on the musical clichés and ridiculous plots of Gilbert …

The triumphal return of the sell-out, wildly exuberant hour of musical comedy written for a cast of ninety, performed by a cast of two. Now in a fully accessible, perfectly appointed 19th century theater space. Andrew foolishly spent 2020 writing a full-length, full-cast comic operetta based on the musical clichés and ridiculous plots of Gilbert …

The triumphal return of the sell-out, wildly exuberant hour of musical comedy written for a cast of ninety, performed by a cast of two. Now in a fully accessible, perfectly appointed 19th century theater space. Andrew foolishly spent 2020 writing a full-length, full-cast comic operetta based on the musical clichés and ridiculous plots of Gilbert …

The triumphal return of the sell-out, wildly exuberant hour of musical comedy written for a cast of ninety, performed by a cast of two. Now in a fully accessible, perfectly appointed 19th century theater space. Andrew foolishly spent 2020 writing a full-length, full-cast comic operetta based on the musical clichés and ridiculous plots of Gilbert …

The triumphal return of the sell-out, wildly exuberant hour of musical comedy written for a cast of ninety, performed by a cast of two. Now in a fully accessible, perfectly appointed 19th century theater space. Andrew foolishly spent 2020 writing a full-length, full-cast comic operetta based on the musical clichés and ridiculous plots of Gilbert …

The triumphal return of the sell-out, wildly exuberant hour of musical comedy written for a cast of ninety, performed by a cast of two. Now in a fully accessible, perfectly appointed 19th century theater space. Andrew foolishly spent 2020 writing a full-length, full-cast comic operetta based on the musical clichés and ridiculous plots of Gilbert …